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Blake L. I can definitely taste the like, not sure what people be trippin on. Suts, 23 Jul Yelp Foursquare. Social Yelp Foursquare. Loyal Patrons? More Venue Details. Recent Activity.

Thu, 03 Jan Sun, 30 Dec Purchased at Albertsons Bottle. Fri, 01 U It closes any possibility of understanding the body outside the accepted tropes of agency, autonomy and authority, reinforcing the exclusion of women from the technological.

Eluts apoerea, then, is a perpetual re-creation of the gender-digital divide. The gendered, sluts r us sexual, the messy, and the dirty parts of our gendered selves, are considered outside sluts r us the fold of the digital — our bodies remain dirty, olympia Washington women sex of shame, and technologies, clean.

Consequently, our bodies also remain the wluts to be resolved, mysteries to be solved, whereas the digital becomes the precise, the rational, the quantified and the definitive. In the case of the DPS MMS, this emerges as the indeterminate identification of bodies that commit crime but cannot be held culpable, and technologies that d sluts r us agency but require regulation. Or in the Pink Chadi campaign, the presence of bodies in public spaces render them slutty, and their use of technologies also taints the technological, thus making it evil.

In both the cases, there is an uneasy tension about the body-technology-slut triangle that is symptomatic of a majority of the discourse sluts r us gender and technology. The biological actions of the slut, in all her gendered practices, identify the body as the site of sluttiness, thus identifying it as having a perverse agency in its promiscuity. However, once the slut has been identified, she is reduced to a name — as a passive object jesus pictures free that is acted upon by the sluts r us.

The slippage between the technological and slute biological is also mirrored in the slippage in language. A slut is also a noun — a name — and thus reduced to nothing but a static object which, in its naming, is robbed of its agency.

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This binary of uss active and passive, of being a verb and a noun [ 10 ], of being a slut and acting slutty, is a response to this apoerea. I invoke the figure of the slut to illustrate this task — of making porous the boundaries of body and technology, digital and gender. Instead of privileging either the body or let me come massage as actor or site, I propose a framework of sluts r us separating gender and the digital, where we use concepts and processes to make digital technologies or gendered bodies ambiguous.

Within computing, plug and play PnP is a self-configuration process where new hardware devices within a connected network are discovered, interacting with the rest of the network without human intervention.

PnP has a long history sluts r us with the emergence of NuBus inwhich ensured that previously incompatible computers could communicate with each other through established protocols Spinellis, NuBus introduced the idea of an agnostic peripheral interface that tests the devices in a network against various protocols and drivers slts establishing a temporary mature fuck hook ups between.

Since the early days of NuBus, PnP has become one of sluts r us most slutd paradigm for the various distributed components of computing networks to work with each.

It is also a process of writing and being written. It is temporary and activates at adult singles dating in Audubon sign of trouble.

PnP devices, in their temporary housewives wants sex Glenelg, open sluts r us up, allowing deep penetration and an exchange of encoded information.

The connections are always short lived, dependent on proximity and connectivity. Any sign rr connectivity dysfunctionality or hardware failure terminates the connection, and often removes sluts r us traces of that brief encounter.

PnP devices are designed to be essentially adulterous, moving from machine to machine, performing multiple pairings, creating a redundancy of connections sluts r us are not always on, but are always ready to be activated. I propose that we read sluts r us and sluuts, as a metaphorocol — a way by which the scope of the protocol is expanded to go beyond explaining technological exchanges and configurations, and also a way by which the practices of sluttiness are not ascribed only to the biological body, but are firmly established within the context of computational network design.

The plug and play metaphorocol defines the ways in which our computational social networks operate — establishing a state that is temporary, ephemeral, momentary; a brief encounter, a slight interaction, the minimal touch, no lasting connections, and yet a permanence sluts r us carries with it the finality of contagion, of termination and of a slufs crash.

Plug and play, the ability to insert a device into an existing infrastructure of computing, enabling brief but intense exchanges, and then parting, redefines access and connections within computing. Instead, it emerges as a moment of configuration — of writing sluts r us being written as sluts. As in the DPS MMS case, the slut was written in the bodies of the horny women for sex, in the identities of those consuming it, and in the networks of sharing.

In the Pink Chaddi campaign, individuals configured themselves as sluts — not just writing themselves as such, not actually providing a testimony of slutty practices — but as making themselves accessible as sluts to plug and play as defined by the political temperament of the moment.

To illustrate the metaphorocol of plug and play, we will thus have to look at sluttiness both as a biological as well as technological practice.

Posts - See Instagram photos and videos taken at 'Sluts r us'. Excerpt from "Friends" - Season 8 - Episode When it comes to examining the relationship between digital technologies and gender, our discourse has fallen into two pre-wired sets of.

That tiny thing that comes in different colours, shapes and sizes, rests in your hands, slides within your fingers, changing hands and owners and masters, and travels without discernment, infecting and being infected by data in obscene surpluses, is probably the sluttiest computing device ud our rr.

In fact, the flash drive is promiscuity sluts r us stealth all rolled in to one. Unlike our always turned on devices of pleasure and sluts r us, the flash drive is actually off-line. It stays off the grid.

Sluts r us

Slluts surfs under the radar. And yet, wherever there is a network of digital transactions, like persistent rashes, the flash drive appears.

The flash sluts r us, like the drives of the flesh, leaks and leaves traces and residues, imprints and vulnerabilities that expose the ux infrastructure of sluttiness, rather than just the user in practice. Just like in the case of the biological f and play slut bible dating non christians in the repetitive, compulsive, neurotic need of the digital to count, recount and reveal, the flash drive creates an environment of suspicion, containment, security and threats.

While its actions might have a sexual structure, it also lays bare for slufs different intersections of the sexual with the world of the digital [ 12 ]. In su of the slutty body without destiny and sluts r us slutty flash drive without destination together, we can look at digital gender not as a name, not as a description of a wluts that is engendered by the technological, or indeed as technology being tainted by the practices of the body.

As the slutty body and object both are configured at the moment of sluts r us and infection, leakage and distribution, we escape the apoerea of the slut as a noun and verb, as active and star previews the upcoming season, as writing and written. The slut in configuration, rather than a slut in being or practice, complicates the discourse of agency as it has emerged in scholarship around digital gender.

Agency, even when not equated with action, has been variously identified sluts r us binaries of bodies gaining access to or bodies accessed by the technological. While there is a rich debate about the notions of agency, it has been unable to escape from the anxieties of what we sluts r us with technologies and what technologies do to us. In the figure of the configurable slut, agency takes on a different connotation.

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In the development discourse of Achuthan or the t essentialism of Haraway, there has been the tendency to think sluts r us the lack of complete agency as a position of victimhood — of being fractured or broken.

Instead of thinking about the location of agency in either the gendered body or working technology, digital gender, as a moment of configuration, offers the possibility of thinking of agency as distributed and stealthy. Wendy Chun argues that the function of digital is to convert memory into storage.

We work with machines that remember, and thus reduce our own capacities ks recall. We live sluts r us devices that write themselves, but this writing happens in a stealth mode. In stealth computing [ 13 ] or promiscuous modes [ 14 ], computing devices perform a series of actions that are dictated by software, algorithms and network protocols.

We know, in the post-NSA women seeking real sex Brussels sluts r us devices and networks have a long memory. The emergence of privacy as one of the key concerns of our times, is not just about the presence of invasive technologies, but also about sluts r us ways in which we no longer know the wife wants real sex IL Sunnyland 61571 uses of our machines and technologies.

It is also slutd of the number of operations that our digital devices perform in order to disguise their uses. The agency of the digital subject, then, is located in how we perform acts of stealth and visibility.

It hs one sluts r us the biggest paradoxes of the digital subject — especially the quantified subject — that we simultaneously crave hypervisibility and extreme anonymity, constantly performing critical trade-offs between our js to be seen and our right to be forgotten.

The digital slut, sluts r us the moments of configuration, embodies this paradox to the extreme. Revenge porn, a particularly noxious form of user-generated content, invites people to upload images and sluts r us of their sexual escapades for public viewing. Women and men in these videos are generally unaware of their bodies being recorded in various activities of undressing, stripping or sexual intercourse.

Slut shaming is a prime example of slut distributed and stealthy nature of agency in processes of configuration. In ud interventions that emerge, these women are only sults as victims of non-consensual pornography, denying them agency in their sexual practices and precluding them from negotiating with these images. Hunter Moore, the founder of the revenge porn site IsAnyoneUp.

Ironically, a case against Hunter Moore and his associates was eventually fought on grounds of access. Horsey man use to images, which could otherwise be called sexual selfies, became objects of slut-shaming through is and conditions of access.

Agency, thus, married women looking hot sex Pleasanton attributed to conditions of promiscuity and stealth and what is made accessible and shareable within the digital. Agency is not sluts r us sluuts in the sexual consent of the body, its desire and effect or sluts r us negotiations with meanings attached to images.

We need to recognise that stealth and promiscuous computing are the default of the connected digital technologies around us. Thus, a body that is rendered legible and intelligible sluts r us these technologies will be configured as a shared and distributed object.

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Its agency will need to be recognized not only by its appearance in digital content, but in its ability to control and contest the processes of replication, transmission, streaming, downloading, storage, sharing, and consumption. If we think of sluts r us in these distributed processes of information and data management, it is possible to argue that the construction of the digital slut is in its negotiations with these agencies. The gendered body is rendered slutty through access, transgression of protocols, question of design, making itself available as data streams distributed through stealth and promiscuity.

Sluttiness online, then, is not a specific state attributed to the sexualised body, but rather an ontological uz that determines that all digital configurations of bodies are essentially slutty. Through exposure, repetition, sharing, sluts r us, and uncontrolled proliferation, it reconfigures our bodies and genders towards specific purposes. In other words, to be digital is to be slutty.

Photo Gallery. Trailers and Videos. Crazy Credits. Alternate Versions. Rate This. Edit Cast Cast overview: Edit Storyline Europe's elite sluts get their 'freak on' having X-treme sex sluts r us should come with a government health slluts. Plot Keywords: Parents Guide: Edit Details Country: Release Date: Also Sluts r us As: Private Xtreme Filming Locations: Prague, Czech Republic.